Interoception: The Hidden Key to Performance and Recovery
We are taught that we have five senses, all of them pointing outward. The sense that matters most for performance
We are taught that we have five senses, all of them pointing outward. The sense that matters most for performance
Most therapists have encountered trauma-informed practice as a framework. Fewer have considered what it means when the client is a
Short answer: stage fright is an anxiety response that scales with perceived stakes. The yips are a sudden loss of
There is a question that a great many people with focal dystonia carry privately, often for years, and rarely ask
Short answer: more than most therapists realise, but less than the work requires. There are established routes in performing arts
Most therapists who end up working with performers did not set out to. A musician arrives in the consulting room.